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Left to Right Back Row: Rick Ward (Association of Louisiana Electric Cooperatives), Keith Davidson (Town of Livonia), Will Hearn (CH2M Hill Lockwood Greene Consulting), Jamie Mabile Delatte (Economic Development Director, Pointe Coupee Parish), Jimmy Ewing (President, Pointe Coupee Electric), Kenny Ramagos (Peoples Bank), Brian Adams (Louisiana Generating, NRG). Left to Right Middle Row: Tammy Fabre (HouseHunters Reality), Fran Bartee (President, Greater Pointe Coupee Chamber of Commerce), Yvonne Chenevert (False River Regional Airport), Joanie Bishop (Pointe Coupee Electric), Addie Armato (Pointe Coupee Electric). Left to Right Front Row: Tim Sullivan (National Rural Electric Cooperative Association), Joseph “Jodie” Cotten (General Manager, Pointe Coupee Electric), Craig Magruder (Pointe Coupee Electric). Not shown in the photo Skip Smart (Louisiana Department of Economic Development) and Janet Vosburg (Pointe Coupee Parish Police Juror). |
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| Amy Gauthier Davis |
Jamie Delatte recently came to the aid of a Hollywood writer, director and producer who was in the area scouting locations for filming. Richie Adams needed to shoot several scenes in a hospital setting. Delatte thought of the nursing program at LTC Jumonville, which has a clinical area set up with hospital beds, etc. Adams visited the school and thought it was ideal for his short film. |
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Another movie is being filmed in our area. This comes as P3 Magazine named Louisiana the number one place to shoot a movie, outside of Hollywood. What's different about this project? It's aimed at training a local workforce -- from camera operators to makeup artists -- to help bring even more movies -- and jobs -- here. WAFB's Marie Centanni reports from the new movie set in New Roads.
When the Louisiana Technical College (LTC) at Jumonville's film production class called WAFB 9 News to play a small role in their class movie, we expected a typical class project. Little did we know we were walking onto the set of a professional film. "This is a actual 35mm film shoot, just like I would do in Hollywood," explained director Keith Smith. The Glass Chord, starring local music legend Henry Gray as a blues singer suffering from Alzheimer's, is being put together entirely by students, led by working movie professionals like Smith, a New Orleans native who's worked on movies like JFK and A Few Good Men. "I remember walking into the class and being blown away," said Smith. "They were just ready to go, real eager, real hungry to learn." Smith is acting as mentor to the student director, Donta Coleman. "It's a blessing," according to Coleman. "I'm fresh out of high school, stepped into the doors of LTC, took the film class..." Now Coleman and his classmates are putting that knowledge to work. So why did the film class request WAFB's presence? It's not exactly a stretch for WAFB's Marie Centanni and Nathan Dewberry to play a reporter and photographer, but their two little lines in the film took four hours to shoot. Rearranging lighting, moving set walls, relaying track for the dolly again and again, just to shoot from a different angle. It's an experience New Orleans evacuee Jabari Walker, a former college math instructor, hopes will mark a new start. "I jumped in," said Walker. "Didn't know what to expect in the beginning, but it all came together." In the end, The Glass Chord will be about 15 minutes long. The class hopes to enter it in film festivals across the country. Extras, ages 20-70, are still needed for the jazz club scene to be shot Thursday, August 10 from 12 noon to 11 p.m. Extras cast are asked to wear after-five or dressy attire. For more information call the production office at 225-618-1844 or go online at www.jumonvillefilm.com. Reporter: Marie Centanni |
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Grammy nominee to star in movie “The Glass Chord”
Grammy nominee Henry Gray stars in The Glass Chord for LTC Jumonville students. (Photo taken by Rachel Junio)
The LTC-Jumonville film class received expert help from Hollywood professionals for their first film, “The Glass Chord”. Students in the LTC-Jumonville program are getting a chance that many film students don’t receive. In addition to working with 35 mm film, the students are getting hands-on experience with film cameras, lighting, and sound equipment guided by Hollywood professionals who flew in to become part of the rewarding experience. “The Glass Chord” is a touching story about an aging musician suffering from Alzheimer’s. Starring in the film is blues legend and Grammy Nominee, Henry Gray, from Baton Rouge, Louisiana. Gray received a Grammy Nomination in 1999 for his work on the “Tribute to Howlin’ Wolf” project where he performed on 10 songs. He is no stranger to the big screen, having filled supporting roles for greats such as Clint Eastwood and an appearance in “All the Kings Men”. Playing the role of Saul Solomon, however, is his first time as a leading actor. This year Gray is the winner of the prestigious National Endowment of the Arts, National Heritage Award which he will receive in Washington D.C. on September 14. Other awards include: France International 2003 Blues Pianist of the Year; 2003 & 2002 Living Blues Magazine Blues Pianist of the Year and four W. C. Handy nominations in 2000. Keith Smith, director for “The Glass Chord”, is a film industry professional with over fifteen years’ experience. He has worked on movies such as “JFK”, “Meteor Man”, “A Few Good Men”, and “Natural Born Killers”. Smith explains that he is “excited about working with such great students.” Smith has worked mainly as a Director of Photography and is happy that “The Glass Chord” is his directorial debut. Nathan Black serves as the sound mixer for “The Glass Chord”. Black has experience working on many films, most notably the Academy Award winning “Hustle and Flow”, “Scream 2”, and “Black Snake Moon”. Working as grip department mentor is Kenneth Smith who has worked on feature films, “Big Momma’s House 2”, “Glory Road” and “All the King’s Men”. Adding to the production team is Sydney Briscoe, gaffer. Briscoe has worked as a gaffer or lead electrician on films including “Spider-Man 3”, “All the King’s Men”, and “Big Momma’s House 2”. Talented set dresser Erika Rice, who is serving as production designer on this project, has worked on “Mr. Brooks”, “The Guardian” and “American Splendor” and is sharing her keen eye and visual creativity with students in the set design, set dressing, wardrobe, makeup and hair departments. Production Manager Cyril G. Neville, Jr. has worked in lighting, audio and video. He is co-founder of the production company “4 Sight Productions, LLC”, in which he is the director, producer, writer and editor for all video, DVD and production needs. He has produced video for documentaries, conventions and tradeshows and has worked as an audio mixer for MTV. Executive Producer of “The Glass Chord”, Marquetta Cheeks, President of Production at Emerald Bayou Studios, is excited about the generous support from Hollywood, “We have had an outpouring of support from Hollywood professionals interested in our student’s success. They’ve heard good things about the film program and the talent within the class. The word is spreading quickly.” Extras, ages 20-70, are still needed for the jazz club scene to be shot Thursday, August 10 from 12pm to 11pm. Extras cast are asked to wear after-five or dressy attire. For more information call the production office at 225-618-1844 or go online at www.jumonvillefilm.com. |
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The Association for Manufacturing Excellence (AME) is trying to help manufacturers who have been negatively impacted by the devastating hurricanes that struck Louisiana last year. As a practitioner based non-profit association, the AME focuses on helping its members learn new tools and techniques to help their companies grow and prosper and they would like to provide this type of assistance to manufacturers in Louisiana. The AME is holding their 27th Annual Conference in Dallas, Texas in October 2006 and have established a special relief fund for the 2,000 attendees to contribute to along with their conference registration. With this fund, AME would like to provide free employee training, consulting and hands-on help from experienced manufacturing practitioners to companies struggling to recover and become viable employers again. The Manufacturing Extension Partnership of Louisiana (MEPoL) will be one of the organizations providing assistance to affected companies. Applications from manufacturing firms affected by the hurricanes to receive AME Katrina Fund dollars should include a cover sheet (see link below) and meet the following criteria: * Provide a brief history of the company. * A description of the pursuit of excellence initiatives undertaken by the firm. * Summary of businesses and financial damages sustained and rebuilding plans. * Expression of willingness to work with AME and an agreement to share your company story with AME membership. * Description of why your organization wishes to receive the AME Katrina Fund * Financial results such as annual sales and profits from 2003 to August 2005. Applications should be received by the AME by September 29, 2006 for consideration. For an AME Katrina Fund Application cover sheet and qualification criteria list with AME contact information, click here http://www.mepol.org/uploads/KATRINAFUNDAPPVer.3.pdf . For the AME Katrina Fund Request for Proposal, click here http://www.mepol.org/uploads/KATRINAFUNDRFPVer2.pdf . Please visit www.ame.org to find out more about AME. |
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727 Hospital Road
950 sq. ft. 3 offices, a bath, kitchen and storage Contact: 638-4541 or after hours, 638-9367 |
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There are many ways to make more money. They include: Anyone interested in enrolling in the program should call (225) 359-9465 or go to http://www.lctcs.net The program is funded in part by a federal H1B grant awarded under the President's High-Growth Job Training initiative, as implemented by the U.S. Department of Labor's Employment and Training Administration. |
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History of the world twenty years from now, and they come to the chapter "Y2K to March 2004," what will they say was the most crucial development? The attacks on the World Trade Center on 9/11 and the Iraq war? Or the convergence of technology and events that allowed India, China, and so many other countries to become part of the global supply chain for services and manufacturing, creating an explosion of wealth in the middle classes of the world's two biggest nations, giving them a huge new stake in the success of globalization? And with this "flattening" of the globe, which requires us to run faster in order to stay in place, has the world gotten too small and too fast for human beings and their political systems to adjust in a stable manner? |
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